Aos meus olhos, claramente é possível notar o desespero e a solidão presentes na última tela de Van Gogh, os tons nebulosos, os traços fortes e definitivos contém toda a fúria e sofrimento presentes na alma do pintor, que poucos dias depois daria um tiro no peito no mesmo campo, com uma arma emprestada, sob a desculpa de que usaria-a para afugentar os corvos. O notório sentido de movimento, o devastador poder do vento sob a plantação, o desespero e a solidão são realmente desconcertantes.
Campo de Trigo com Corvos(Wheatfield with Crows, 1890) Oil on Canvas, 50.5 X 103 cm
Wheat Field with Crows stands out as one of Vincent van Gogh's most powerful, and most fiercely debated, paintings. The many interpretations of this particular work are probably more varied than any other in Van Gogh's oeuvre. Some see it as Van Gogh's "suicide note" put to canvas, while others delve beyond a superficial overview of the subject matter and favour a more positive approach. And some more extreme critics cast their vision even further--beyond the canvas and the brushstrokes--in order to translate the images into an entirely new language of the subliminal.
Artistic analysis is, by its very nature, a subjective endeavour. Still, the most reasonable interpretations are best undertaken from a foundation based on facts.
fonte: http://www.vggallery.com/painting/p_0779.htm
Wheatfield with Crows is one of Van Gogh’s most famous paintings and probably the one most subject to speculation. It was executed in July 1890, in the last weeks of Van Gogh’s life. Many have claimed it was his last work, seeing the dramatic, cloudy sky filled with crows and the cut-off path as obvious portents of his coming end. However, since no letters are known from the period immediately preceding his death, we can only guess what his final work might really have been. Some scholars believe it was the Tree-roots, but we have no proof that this was the case.
Fonte: vangoghmuseum
Campo de Trigo com Corvos(Wheatfield with Crows, 1890) Oil on Canvas, 50.5 X 103 cm
Wheat Field with Crows stands out as one of Vincent van Gogh's most powerful, and most fiercely debated, paintings. The many interpretations of this particular work are probably more varied than any other in Van Gogh's oeuvre. Some see it as Van Gogh's "suicide note" put to canvas, while others delve beyond a superficial overview of the subject matter and favour a more positive approach. And some more extreme critics cast their vision even further--beyond the canvas and the brushstrokes--in order to translate the images into an entirely new language of the subliminal.
Artistic analysis is, by its very nature, a subjective endeavour. Still, the most reasonable interpretations are best undertaken from a foundation based on facts.
fonte: http://www.vggallery.com/painting/p_0779.htm
Wheatfield with Crows is one of Van Gogh’s most famous paintings and probably the one most subject to speculation. It was executed in July 1890, in the last weeks of Van Gogh’s life. Many have claimed it was his last work, seeing the dramatic, cloudy sky filled with crows and the cut-off path as obvious portents of his coming end. However, since no letters are known from the period immediately preceding his death, we can only guess what his final work might really have been. Some scholars believe it was the Tree-roots
Fonte: vangoghmuseum
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